#Reaper virtual midi fabfilter twin 2 software
That being said, I’d personally argue that in our current musical zeitgeist - with its sophisticated DAWs, hardware & software instruments and powerful audio processing tools - that the element of timbre has taken on a far greater importance in our culture’s music than ever before. There’s a historical thread surrounding harmony that gets studied and talked about a great deal in university music departments, while perhaps the other musical elements are not scrutinized quite as closely. Note how a specific chord progression is articulated by the pad sound. Here’s an example of a short synth pad I made using the u-he Diva instrument. A synth pad will typically have a lush sound that sustains for a relatively longer duration.
Think of the harmony as being the specific pitches you select to sound together to form chords and chord progressions, while the synth pad is the sounding timbral expression of that harmony. It seems like a lot of people, especially in academia, consider the element of harmony to be the element that defines Western music, and if you’re thinking about creating a synth pad, it’s likely going to be when you’re in the process of writing harmony in your music. Gaining a good understanding of these elements is obviously important when working with sound. There seem to be differing opinions as to exactly how many elements there are and what they are, but it’s common to think about music in terms of its sonic characteristics and organizational concepts such as dynamics, form, harmony, melody, phonic structure (also referred to as texture) rhythm and timbre (also referred to as tone color). There’s a concept out there that goes something like this: all music can be broken down into and analyzed by its essential elements - its fundamental characteristics.
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